Novel Writing Skills

Useful Banter Lines Tailored For A Romance Novel




These banter lines are specifically useful for second chance romance or enemies-to-lovers, where sharp wit, subtle flirting, and emotional undercurrents can shine. Banter is perfect for building chemistry, revealing unspoken emotions, and keeping the tension alive between your protagonists.


1. Banter for a Second Chance Romance

A. During Their Reunion

When emotions are raw, and the characters are sizing each other up.

Sophia (Guarded):

  • “You’re back? What’s next, an apology or just more bulldozers?”
  • “The town survived just fine without you, Ethan. I suggest you keep it that way.”

Ethan (Charming but Guilt-Ridden):

  • “Nice to see you, too, Sophia. I’ve missed your warm welcomes.”
  • “Relax, I’m not here to destroy everything you love. Just most of it.”
  • (Smirking) “Still holding grudges, I see. Let me guess—me, Mondays, and pineapple on pizza?”

B. While Arguing

They’re butting heads, but underlying affection starts to peek through.

Sophia:

  • “For someone who thinks they know what’s best for everyone, you sure have terrible timing.”
  • “You’re awfully confident for someone who’s been wrong so many times.”
  • “You act like I’m the problem here, but last I checked, you were the one who left.”

Ethan:

  • “Ah, there’s the Sophia I remember. Stubborn, sharp-tongued, and impossible to argue with.”
  • “If I’m so terrible, why are you still glaring at me like I just took the last donut?”
  • “Careful, or I might think you actually missed me.”

C. Moments of Playful Tension

When the walls start to come down and the flirting begins.

Sophia:

  • “If you’re here to help, I’m already suspicious.”
  • “Do you always smirk like that, or is it just to annoy me?”
  • “Don’t think fixing a bookshelf makes you a saint. It takes a lot more than that.”

Ethan:

  • “You might not trust me yet, but I’m really good at winning people over. Want a demonstration?”
  • “I’m starting to think you only argue with me because you like how I look when I’m frustrated.”
  • “Admit it—you missed having someone around who could handle your attitude.”

2. Banter for Enemies-to-Lovers

This works well when they can’t stand each other (on the surface) but are clearly drawn to one another.

A. Meeting for the First Time

When their personalities clash immediately.

Protagonist 1:

  • “Are you always this insufferable, or am I just lucky?”
  • “Let me guess—you think you’re charming. Spoiler alert: you’re not.”
  • “If sarcasm were a sport, you’d be the MVP. Congrats.”

Protagonist 2:

  • “You’re right, I am insufferable. But don’t worry, I plan to tone it down just for you.”
  • “You know, I had no idea I’d be meeting a professional critic today. Should I bow or just let you continue?”
  • “Oh, good. Another person to tell me what I’m doing wrong. My day is complete.”

B. Arguments with Flirty Undertones

When they’re bickering but clearly interested in each other.

Protagonist 1:

  • “For someone who’s so smart, you have terrible ideas.”
  • “I’d say you’re predictable, but I didn’t expect you to stoop this low.”
  • “If you keep talking, I might actually start agreeing with you. Can’t let that happen.”

Protagonist 2:

  • “You’d agree with me eventually. I’m annoyingly persuasive.”
  • “You act like you don’t like me, but your eyes tell a different story.”
  • “You know, some people flirt with compliments. You’ve really mastered the insult approach.”

C. Forced Proximity Banter

When they’re stuck together and can’t help needling each other.

Protagonist 1:

  • “You’re breathing too loudly. Could you stop?”
  • “If we’re going to survive this, I need you to stop beingyou.”
  • “You know, silence is a beautiful thing. Ever heard of it?”

Protagonist 2:

  • “No promises. My existence tends to annoy people. It’s a gift.”
  • “Wow, you must be a lot of fun at parties. Or do you just glare at people the whole time?”
  • “I’m sorry, is my existence ruining your day? Let me fix that. Oh wait, I can’t.”

3. Banter During Vulnerable Moments

When their emotions start to show, but they deflect with humor.

Protagonist 1 (Hiding Pain):

  • “Don’t look at me like that. You’re not about to give me some grand speech, are you?”
  • “If you’re going to fix everything, could you start with the plumbing? I’m serious—it’s terrible.”
  • “Please, don’t make this harder than it already is. Or do. You’re good at that.”

Protagonist 2 (Hiding Affection):

  • “No speeches. Just quietly being here. I promise, it’s less annoying than it sounds.”
  • “Fixing everything? I don’t know if I’m qualified for that. But I’ll start with you.”
  • “What can I say? Annoying you has become my favorite pastime.”

4. Banter for a Turning Point

When they start to admit their feelings but use humor to soften the vulnerability.

Protagonist 1:

  • “You’re making it really hard to keep hating you, you know that?”
  • “If you weren’t so annoying, this might actually be nice.”
  • “Don’t think for a second this means I’m falling for you. Except, maybe just a little.”

Protagonist 2:

  • “Falling for me? I’ll try not to let it go to my head. No promises, though.”
  • “Admit it. You like having me around.”
  • “I’m annoying? That’s funny, because I was just about to say the same thing about you.”

5. Tailoring Banter for Specific Dynamics

A. If One Character Is Playful, the Other Serious

  • Playful Character: “If I had a nickel for every time you rolled your eyes at me, I’d be rich.”
  • Serious Character: “If I had a nickel for every bad idea you’ve had, I’d be richer.”

B. If They Have a Shared History

  • Character 1: “Remember the last time we tried to do something together? Disaster.”
  • Character 2: “I remember you being the disaster. I was just there for moral support.”

6. Banter for Unique Situations

A. When One Saves the Other

  • “Great, now I owe you one. Don’t get used to it.”
  • “You’re welcome. And yes, I do accept cookies as payment.”

B. When They Almost Kiss

  • “You’re staring at me like you’re about to do something reckless.”
  • “Me? Reckless? Never. But if you want to lean in first, I won’t stop you.”

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